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“Oh no Betty,” Moses tones were of an elder-brotherly authority, “yer li’l han’s aint meant fer sich servitood. I’d not stan’ by an’ see you do that.” With all his teasing at times, Moses adored his little foster-sister. He idealized her, and as Mrs. Wopp had often remarked, whenever Betty left his presence he saw her ascend into heaven in a “Whirlwin’ of fire, an’ go-cart of flame.”, “As the door creaketh on his hinges, so the slugger turneth on his bed.” Liza Wopp’s voice was compelling in its significance. Through the rose-lit dreams of Moses, the sound and the awful words were like the threatenings of an approaching storm., Vigorously all joined in the closing hymn and Mrs. Wopp’s high soprano could be heard above all the other voices. A sense of duty well performed added even greater power to the vocal billowing..